12/11/2019 Steinberg Virtual Bassist Keygen For Mac
Model E and VB-1 revived Throughout the long history of Steinberg, many products have come and gone, many have been superseded by new variants and others have been dropped completely. Once in a while, however, some of our developers like to dig up one of these long forgotten gems and polish it ready for current operating systems. As these revived products remain discontinued, their updates are not officially supported. Updates for discontinued products are sporadic as these are voluntarily provided by our engineers in their free time. Today, Steinberg would like to share with you the following: Model E — classic analog synth with ultra-low CPU load VB-1 — virtual bass emulation with selectable pick position.
Virtual bass player Using dynamic phrases based on real performances by top studio bass players in 30 styles, Virtual Bassist covers almost every conceivable music genre, delivering bass sounds and phrases for rock, pop, reggae, metal and hip hop to name just a few. Playing Virtual Bassist is just as easy as playing the keys on your MIDI keyboard: each style contains 2 octaves of phrases of varying complexity and fills. The innovative GrooveMatch Technology allows users to mould the Virtual Bassist bass line performance to existing drum grooves either by flexibly editing notes or shifting the overall groove of any phrase. Virtual Bassist comes with a full range of sound-shaping features, including six high-quality virtual stomp box effects optimized for bass guitar, a choice of tube or solid state amp head, bass cabinets and microphones as well as mic positioning options to build ideal bass guitar parts. Windows XP Home or XP Professional Intel / AMD Prozessor 1.4 GHz minimum 512 MB RAM DVD drive required for installation Windows MME compatible audio hardware is required (ASIO compatible audio hardware required for low latency operation). Steinberg Key (copy protection device) and USB port required.
Internet connection required for license activation For usage as plug-in, a VST (VST 2.3 or higher) or DXi2 compatible host is required. For usage as Rewire slave device, a Rewire compatible host is required.
This innovative VST Instrument from Steinberg and Wizoo aims to take the donkey work out of producing realistic sequenced guitar parts. One of the most difficult aspects of MIDI sequencing is without doubt the programming of realistic guitar parts — even the best multisample of an acoustic or electric guitar has a habit of ending up sounding like an undistinguished electric piano.
Samples of complete phrases fare somewhat better, but then you have to work with whatever key and tempo the phrases offer rather than being able to create a part to fit your composition. Steinberg/Wizoo's Virtual Guitarist offers a new alternative for the creation of rhythm guitar parts, though it hasn't evolved to the point that it can take solos yet.
In concept, Virtual Guitarist lets you choose a rhythm style, either acoustic or electric, which follows the chords of your composition over a reasonably wide tempo range. What's more, there are rhythmic variations that can be introduced very easily to make the part seem even more 'real'. To achieve this seemingly impossible task, the program contains a vast library of samples, but the clever part is that a technique (which, I'm guessing, is not dissimilar to Recycle) has been employed to break up the recorded rhythm parts into individual strums.
This allows the tempo to be varied without changing the pitch of the samples, much as with REX or Groove Control drum loops, and it works surprisingly well over a reasonable tempo range, though setting a tempo much below 70bpm is not recommended for the most natural results. Available for both Mac and PC, Virtual Guitarist functions as a conventional VST Instrument, enabling it to be used from within any VST 2‑compliant host software package.
Mac users need to be running OS 9 or above while PC users need Windows 98, ME, 2000 or XP. Both need plenty of RAM and 512MB is recommended, although you can get away with less if you stick to the smaller chord libraries. To use the largest chord libraries, which provide more chord type variations, I had to increase Logic's memory allocation to over 300MB. Because of the large sample collection needed to make it work, it comes on three CD‑ROMs and takes up around 1.6GB of hard drive space.
These library files must be copied over to a Virtual Guitarist folder after installation and when the program is first run, a path to these files must be set up. Initial versions had installation problems with Logic where Virtual Guitarist sometimes couldn't locate its own sound files, but a revised version has now fixed this bug. Once installed, Virtual Guitarist gives you 25 'players' or styles, divided between acoustic and electric guitars — in fact, the two guitar types appear as different plug‑ins. Each 'player' can be loaded up with one of three sizes of chord library, the simplest restricting chord types to two or three variations such as major, minor and seventh while the larger libraries provide more exotic chord types. The reason three sizes of chord library are available is that the bigger sizes take longer to load and eat up about three times as much RAM as the economy versions, so if you don't need all those fancy chords, it's easier to load the smaller set.
Note, however, that not all players offer all chord variations. Boogie‑type rhythms, for example, seem to offer only major chords, regardless of the chord library chosen, presumably because other chord types wouldn't make sense in this genre. The Setup window applies to both electric and acoustic guitar plug‑ins, and allows you to choose which chord set to load, as well as offering detailed control over parameters such as fret noise and vibrato.One thing you don't have to do is think like a guitarist.
You simply tell Virtual Guitarist what chords to play and it strums along at the tempo of your song, even if the sequencer isn't actually running. You can either use single‑finger triggering in the style of home keyboards (one finger for a major, any white key to the left for a seventh, any black key to the left for a minor or any black and white key to the left for a major seventh) or you can hold down all the correct notes as a block chord. Of course there can be an ambiguity if you play a three‑note chord comprising one white note and one black note below the top note, as Virtual Guitarist seems to have no way of deciding whether you intend this to be an 'easy' chord or whether you want the chord to utilise the actual notes you've played. As a rule, it's safest to use easy chords for majors, minors and minor sevenths, while using full fingering for other chord types. A chord display window confirms the chord type, and a Latch function allows chords to keep playing until you play another one or until you stop them deliberately using a control key or a sustain pedal. A quantise function ensures that chord changes occur only where you want them to (whole, half or quarter bars) and hitting a key above a certain user‑adjustable velocity plays a syncopated version of the rhythm. Rhythmic fills can be introduced using the keyboard's mod wheel, but where the fun really begins is in calling up other variations on the rhythm part (there are eight part variations), which can be mapped to the bottom octave of your MIDI keyboard, enabling the keys to be used as real‑time part selectors.
These Remote Keys may also be used to trigger fret noise, stopping, fills and to duplicate the function of the sustain pedal. The sustain pedal fills a number of roles: it can stop playback, or it can trigger long chords when Latch mode is on, or it can maintain playback when the keys are released in non‑latch mode.
Long chords work the same way as in Latch mode. The strumming/picking tempo always follows that of the sequencer, though you can halve or double the rhythm tempo relative to the tempo of the song if necessary. To add further humanity to a part, random timing differences can be introduced using the Timing control and parts can be given swing or shuffle, in much the same way as groove quantise works on a typical sequencer. A Dynamics control introduces small random level changes in the strumming pattern, while a separate Decay control can shorten or extend the duration of individual strums. In the main, the default value sounds most natural. As if that weren't enough, you can also mess around with the sound by switching in a doubling effect and/or by altering the stereo width (achieved using pseudo‑stereo comb filtering) while the acoustic guitar in particular can benefit from the on‑board enhancer to add extra brightness.
Electric guitars get a Pickup Selector switch, which really sounds like some kind of preset EQ, and there's variable Presence. Each of the two guitar types has its own style of plug‑in window, the electric version looking not unlike a well‑known modelling guitar preamp. Here you can choose the player type and one of the eight variations as well as accessing controls for the functions described in the preceding section. Clicking Setup brings up an alternative window which applies to both electric and acoustic guitar types. Here you can select half, normal or double tempo, set which octave the remote keys on your keyboard will occupy and decide what size chord set to load.
There's also a Vibrato section where you can apply manual vibrato using the mod wheel or aftertouch. The electric guitar plug‑in offers a different range of parameters to the acoustic, including parameters for pickup selection and presence.Other setup features include the choice of source for triggering fills, the velocity level at which the syncopated version plays, and a velocity below which 'wrong' notes will be ignored. I guess this would be most useful for MIDI guitar players, although why a guitar player would want to use Virtual Guitarist via a guitar isn't immediately obvious. This page is also where you turn fret noise on or off, set the chords to display as sharps or flats, set the quantise value that determines where in a bar chords are allowed to change, and fine‑tune the guitar. If all this potential for setting up sounds intimidating, it's worth pointing out that you can just use the default settings, load a 'player' and get on with it.
The great thing about Virtual Guitarist is that you can use it at many different levels, even to the extent of accessing the individual rhythm slices (on MIDI channel 16) to create new rhythms of your own. Getting usable results out of Virtual Guitarist is surprisingly easy, but you may need to do a little tidying up in your sequencer to get the very best out of it. For example, if you intend to play an easy chord comprising a root note and one black modifier note below it to make this a minor, you have to ensure that the black modifier note isn't pressed fractionally before the root note — otherwise, instead of getting 'root note minor', you'll get 'black note major'. Fortunately, working with a sequencer makes it easy to correct any such problems. Assigning the bottom octave of the keyboard to control the part variations is a great way to introduce subtle variations in style to give a more realistic impression, and in most instances, these can be mixed and matched pretty freely, though a few only make sense preceding a break. Certainly the 'reality' of the result is enough to make you smile, especially the way fret noises appear in appropriate places without you having to ask (unless you switch fret noise off).
I particularly like the boogie styles in both electric and acoustic versions, while the wah guitar is surprisingly moody and usable and not in the least like the theme from Shaft! If the XXL chord set is loaded, the style with the most variations can play all the following chord types: major, major seventh, seventh, sixth, augmented fifth, diminished fifth, minor, minor with major seventh, minor seventh, minor sixth, minor seventh with diminished fifth, suspended fourth, seventh suspended fourth and diminished. One‑finger easy chords are available for major, minor, seventh and minor seventh only, so you have to play the full chord for other types. However, you don't need to play the right inversion as Virtual Guitarist will always play the right guitar part except in those cases where two different chord types use the same notes, in which case you should put the root note at the bottom to avoid confusion. The diminished chord, for instance, repeats the same notes every three semitones, but in a different order. Virtual Guitarist is claimed to be able to make sense of most chordal parts from GM files, but because of the possible ambiguities between one‑finger chords and fully fingered chords, you can come unstuck on occasions, which means a little sequencer editing to put things right. On the whole, though, it's instant gratification all the way: you feed in simple block chords at the right time and Virtual Guitarist does the rest.
Most of the rhythms are common enough in style to be easily integrated into many styles of song, but because Virtual Guitarist is based on styles recorded by real players, there's a limit as to how far you can stray from what you're given. While tempo and swing is quite flexible, some songs require very definitive strumming styles which aren't available here. Even so, you can stretch as far as reggae, chugging root‑and‑fifth rock guitar, rock and roll/boogie, straight strumming, rhythmic picking and a variety of very practical acoustic strumming and finger‑picking styles.
Virtual Guitarist offers the convenience and sound quality of a sample CD, but offers the very real benefits of allowing you to tweak the feel and tempo of the various rhythmic parts as well as play different chord types directly from your keyboard. The easily called up variations add greatly to the realism of the result, and if the on‑board sound‑modifying controls don't provide enough variation, you can always feed the output through other VST plug‑ins. Of course the finite number of styles means that you often have to modify your song to fit the guitar‑playing style rather than vice versa; to this end, some more straight‑ahead strumming might have been useful. In the context of a backing track, I don't think many people would twig that Virtual Guitarist wasn't a conventional recording of a real player, though it may fare less well if used as the solo backing for a folk song for instance. Even then, by careful use of the variations, you might get away with it. Whichever way you look at it, Virtual Guitarist certainly heralds a new direction for virtual instruments, so it will be interesting to see what they come up with next.
Further expansion styles could be handy, and a Virtual Drummer done well would be very welcome! All contents copyright © SOS Publications Group and/or its licensors, 1985-2018. All rights reserved. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents.
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Steinberg Virtual Bassist VSTi DXi 1.0 INTERNAL 536 MB Steinberg.Virtual.Bassist.VSTi.DXi.v1.0.INTERNAL-AiRISO Due to massive popular demand we completely reworked our old driver based dongle emulator to work together with our new SynsoEmu, we removed the driver and made it dll-based. All releases have been rebuild, repacked, updated and made compatible to run on modern operating systems like Windows Vista/Seven After 10 years of SyncroSoft ownage it's time we move on. We hope you enjoy this final RETRO summer release. With the benefit of Virtual Bassist, you can enrich your projects with professional-caliber bass lines - without having to call on a bass player or endure interminable takes to capture a good performance. Steinberg's Virtual Bassist is an accomplished player who has mastered 30 styles. It always plays with perfect timing, and adapts to suit virtually every musical taste.
Every style comprises phrases in varying levels of complexity and suitable fills, all of which were tracked by professional studio musicians. And for your further processing pleasure, you have an array of high-quality virtual stomp-boxes and a special amp section at your disposal. Utterly authentic-sounding bass parts derived from the actual performances of professional studio bass players Lines are quickly and easily played on every MIDI keyboard 30 different styles with numerous variations and fills Excellent sound-sculpting tools (Bass Model, Attack, Damping, and Pickup Position) Real-time control over vital parameters Groove Match technology for adapting bass lines to other MIDI grooves Amp section featuring amp type, speaker/mic and EQ selection options High-quality virtual stomp-box effects (also employable as a VST effect plug-in).
Rate this post Steinberg Cubase Pro 9.5 Free Download Latest Version r2r for Windows. It is full offline installer standalone setup of Steinberg Cubase Pro 9.5 Crack mac for 32/64. Steinberg Cubase Pro 9.5 Free Download Latest Version r2r for MAC OS. It is full offline installer standalone setup of Steinberg Cubase Pro 9.5 Keygen Serial key for macOS. Steinberg Cubase Pro 9.5 Overview Cubase Pro condenses almost three decades of Steinberg development into the most cutting-edge DAW anywhere. Used by star producers and musicians for composing, recording, mixing and editing music, Cubase Pro combines outstanding audio quality, intuitive handling and a collection of highly advanced audio and MIDI tools. Whether you record an orchestra, a huge live rock show, or a band in the studio, Cubase Pro is sublime in every sense of the word.
Features of Steinberg Cubase Pro 9.5 Below are some noticeable features which you’ll experience after Steinberg Cubase Pro 9.5 free download. Here are just some of the features found in this incredably powerful software program. Virtual instruments & effect plug-ins. Channel strip modules for epic pro-console sound, including top-end compressors, analog tape saturation and brickwall limiter. REVerence: Top-end multi-channel convolution reverb processor. Frequency 8 band EQ for microscopic audio surgery including M/S support and Linear phase mode.
VST Amp Rack and VST Bass Amp: infuse your guitar and bass tracks with drive, punch and clarity. PitchCorrect for automatic intonation control of monophonic audio sources. Quadrafuzz v2, Multiband Expander, Multiband Envelope Shaper Composing music with Cubase. Steinberg’s wealth of engineering experience in digital audio stretching back over nearly three decades provides the basis for its state-of-the-art recording capabilities.
With its emphasis not only on technology but also on user friendliness and ergonomics, Cubase provides everything you need to record your audio with ease and utmost quality. The award-winning Cubase audio engine delivers a crystal-clear 64-bit floating-point resolution and 192 kHz sample rate, with a pristine sound quality that is the hallmark of the Cubase music production experience. And the Cubase audio engine also includes true surround capability throughout, with each track and channel offering up to six discreet channels, ready for 5.1 surround.
Engineered exclusively for Steinberg’s audio production systems and unavailable on any other software workstation, the Control Room is a unique recording and monitoring environment seamlessly integrating performer mixes and monitoring setups into your recording and mixing workflow. Cubase allows you to create and manage up to four unique studio mixes feeding performers their own tailored mix, to use the integrated talkback function, manage audio sources feeding from tape, CD or DVD — all seamlessly integrated in the Cubase MixConsole. Audio editing with Cubase. The Sample Editor allows you almost limitless creative freedom while editing audio.
A full editing toolset offers a huge range of functions that not only cover common editing tasks right down to the sample level. Cubase is the complete production environment for fast, intuitive and qualitatively outstanding audio tools that allow you to manipulate your recordings in almost any way imaginable. State-of-the-art transient and tempo detection: optimize the timing, feel and flavor of live-recorded drum tracks. Intuitive audio quantization. Easy drum replacement Extended pitch correction and creative audio manipulation. VariAudio offers completely integrated vocal editing and pitch alteration of individual notes in monophonic vocal recordings and can solve intonation and timing problems with a few clicks.
Editing vocal lines in the Sample Editor is just as seamless and quick as if editing MIDI notes in the Key Editor. The full integration with the Chord Track ensures correct pitch to your harmonies at all times! This interaction also lets you harmonize your lead vocals in beautifully composed choral arrangements. Plus, you can even edit multiple VariAudio parts across multiple tracks within one editor only. And yes, the popular autotuning effect is no big deal! Drum recordings and drum loops Transient and tempo detection. Cubase comes with a state-of-the-art transient detection.
With this powerful tool at hand, you can detect single hits, rolls and ghost notes faster and more accurate than ever before. Best of all, hitpoints are automatically calculated in the background as soon as audio material is recorded or imported into the arrangement window.
Plus, the tempo detection algorithm accurately determines the tempo of any rhythmic audio material. The resulting tempo map can be used to keep the dynamic feeling of natural tempo variations or to remove unwanted tempo changes quickly. The bass drum needs some extra punch?
The snare drum doesn’t cut through the mix? With the Hitpoint-to-MIDI function, it is very easy to replace, double or enrich live-recorded drum sounds. When the transients have been detected, a single click creates a MIDI track with a MIDI note for each drum hit. From here, it’s up to you which sampler or synth you want to fuel.
Multi-track editing Smart multi-track editing -Simple and efficient — Track Edit Groups tie together what belongs together. When recording a guitar for example, it is common to record signals from different amps, microphone types or distances on separate tracks. With Track Edit Groups activated, related tracks are tied together and can be edited at once, making this feature a huge time-saver in the studio. Warp quantizing -Cubase also allows you to warp-quantize multiple audio tracks at once using the convenient Quantize panel. By creating warp markers straight from hitpoints, both single audio loops as well as the entire arrangement can be non-destructively quantized with a single mouse click — just like MIDI parts! And because the audio events are warped instead of sliced, they automatically follow any tempo or pitch changes of your project while remaining unclutterd for easy arrangements.
Conjure the perfect take – Ultra-fast take comping TrackVersions -Create, rename and manage parallel versions of the same track or tracks and use them to compare takes or create alternative versions of your recordings while keeping all track settings. Interfacing perfectly with existing track handling features like lanes, the flexible new TrackVersions feature will significantly speed up your workflow when working not only with audio but also MIDI, instrument, chord, tempo and signature tracks. Direct file exchange with WaveLab. 32-bit floating-point mixing engine with 128 physical inputs and outputs, 8 inserts per channel, 64 FX sends, 256 groups/busses and unlimited routing between audio channels, busses, groups and FX.
Entirely scalable and dedicated full-screen mode. View Sets and Channel Zones for utmost flexibility. VCA faders for complex mixing and automation workflows.
Control Link groups and Quick Link system for channel parameters. Customizable track icons and track notepad. Drag-and-drop support throughout the mixer. Windows XP Vista 7 8 8.1 10 32-bit 64-bit Steinberg Cubase Pro 9.5 Free Download Click on below button to start Steinberg Cubase Pro 9.5 Free Download. This is complete offline installer and standalone setup for Steinberg Cubase Pro 9.5. This would be compatible with both 32 bit and 64 bit windows. Click on below button to start Steinberg Cubase Pro 9.5 Free Download.
Steinberg Virtual Bass
This is complete offline installer and standalone setup for Steinberg Cubase Pro 9.5. This would be compatible with macOS.
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